Komposition 12 x 18 mian framed product image (ca 1939-1942)
Komposition 12 x 18 mian framed product image (ca 1939-1942)
Komposition (ca. 1939–1942) Black Framed Print by Otto Freundlich – 12×18 | 16×20                                               

As a bold abstract work by Otto Freundlich, Komposition (ca. 1939–1942) beautifully reflects the power of color and form in modern art. Furthermore, this archival black-framed print is available in 12×18 or 16×20 inches and arrives ready to hang, making it both stylish and convenient.

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Artist Bio in “Additional Information” Tab

SKU 6918 Category Tags , , , ,

Price range: $44.99 through $64.99

Otto Freundlich

Discover a Master of Modern Abstraction

Komposition was created during a dark and uncertain period in European history. Nevertheless, Otto Freundlich continued to produce art that conveyed messages of hope, freedom, and unity. As a pioneer of abstraction, he believed in using shape and color as a universal language to connect people beyond words.

In this particular piece, bold forms and radiant tones take center stage. Altogether, it speaks to the spirit of modernism—expressive, fearless, and deeply meaningful.

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Learn more about Otto_Freundlich at WIKIPEDIA

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Why Choose This Framed Print?

This artwork is more than just a print—in fact, it’s a piece of abstract art history.

Whether displayed in kitchens, living rooms, bedrooms, or home offices, it adds visual interest and cultural value. Moreover, its classic design fits seamlessly into a wide range of interior styles, from vintage-inspired spaces to modern minimalist rooms.

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High-Quality Materials

Each print is made on archival matte paper, which is specifically designed to last for years without fading. Additionally, it comes in a sleek black engineered wood frame with acrylic glazing that helps protect the artwork and reduce glare.

Best of all, you can hang it right out of the box—no extra framing or assembly required.

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Key Features

  • Authentic reproduction of Komposition (ca. 1939–1942)

  • Printed on museum-grade matte paper

  • Framed in black Engineered wood with crystal-clear acrylic

  • Two sizes: 12×16 inches or 16×20 inches (including frame)

  • Ships ready to hang with hardware included

  • Packaged securely for damage-free delivery

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Great Gift Idea

If you’re searching for a thoughtful and unique gift, this framed vintage print is a perfect choice. It’s ideal for art lovers, collectors, gardeners, or anyone who appreciates timeless design and historical charm.

Not only is it beautifully made, but it also adds meaning and style to any space. Whether you’re celebrating a birthday, holiday, housewarming, or special occasion, this print is sure to be a memorable and lasting present.

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Authentic Print Quality for Timeless Vintage Art

We print, frame, and ship your artwork straight to your door—ready to hang and enjoy. Simply open the box, and your space comes to life with timeless charm.

To ensure quality, our high-resolution prints are created using archival inks on acid-free matte paper. As a result, they capture every detail and soft tone of the original vintage artwork. Moreover, each piece is designed to be fade-resistant, so it will maintain its beauty for years to come.

In addition, the clean, minimalist presentation adds both warmth and historical character to any room. Whether you’re decorating a home, office, or gallery wall, this print delivers style and longevity in one elegant package.

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Otto Freundlich
Sydenham EdwardsSydenham E

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Otto Freundlich

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Artist Bio

Artist Bio:
 
Otto Freundlich
 
German, 1878-1943
 
Otto Freundlich was a German painter and sculptor of Jewish origin. A part of the first generation of abstract painters in Western art, Freundlich was a great admirer of cubism.
 
Freundlich was born in Stolp, Province of Pomerania, Prussia. His mother was a first cousin of the writer Samuel Lublinski. Otto studied dentistry before deciding to become an artist. He went to Paris in 1908, living in Montmartre in Bateau Lavoir near to Pablo Picasso, Braque and others. In 1914 he returned to Germany. After World War I, he became politically active as a member of the November Group. In 1919, he organized the first Dada – exhibition in Cologne with Max Ernst and Johannes Theodor Baargeld. In 1925, he joined the Abstraction-Création group.
 
After 1925, Freundlich lived and worked mainly in France. In Germany, his work was condemned by the Nazis as degenerate and removed from public display. Some works were seized and displayed at the infamous Nazi exhibition of degenerate art including his monumental sculpture Der Neue Mensch (The New Human) which was photographed unsympathetically and used as the cover illustration of the exhibition catalogue. Der Neue Mensch was never recovered and is assumed to have been destroyed. One of his sculptures was recovered in an excavation in Berlin and put on display at the Neues Museum.
 
While in Paris, he became a member of the Union des Artistes Allemands Libres.
 
He moved to France in 1924, and during the occupation moved with his wife to the Pyrenees. Freundlich was interned by the Vichy authorities but released, for a time, under the influence of Pablo Picasso. In 1943 he was arrested and deported to Majdanek Concentration Camp, where he was murdered on the day he arrived.

Size

12×18, 16×20

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