Spotted Calochortus (1815–1819) – Black Framed Print by Sydenham Edwards 12×18 | 16×20

Celebrate the elegance of early botanical illustration with Spotted Calochortus by Sydenham Edwards. This archival black-framed print, available in two sizes, arrives ready to hang and enjoy.
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Artist Bio in “Additional Information” Tab

Price range: $44.99 through $64.99

Sydenham-Edward
Sydenham-Edward

A Historic Bloom in Botanical Art

Originally published between 1815 and 1819, Spotted Calochortus is the work of Sydenham Edwards, one of the most respected botanical illustrators of the 19th century. Known for his detailed and scientifically accurate renderings, Edwards brought plants to life with clarity and artistry.

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In this illustration, the delicate Calochortus blossom—often called the “Mariposa lily”—is depicted with striking spotted petals and vibrant greenery. Although created over 200 years ago, the piece remains remarkably fresh and visually captivating. As a result, it appeals to both vintage art collectors and nature lovers alike.aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa

 

Learn more about Sydenham Edwards at WIKIPEDIA

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Why Choose This Framed Print?

This artwork is more than just a printin fact, it’s a piece of botanical art history.

Whether displayed in kitchens, living rooms, bedrooms, or home offices, it adds visual interest and cultural value. Moreover, its classic design fits seamlessly into a wide range of interior styles, from vintage-inspired spaces to modern minimalist rooms.

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High-Quality Materials

Each print is made on archival matte paper, which is specifically designed to last for years without fading. Additionally, it comes in a sleek black engineered wood frame with acrylic glazing that helps protect the artwork and reduce glare.

Best of all, you can hang it right out of the box—no extra framing or assembly required.

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Key Features

  • Authentic reproduction of Spotted Calochortus (1815–1819) – Black Framed Print by Sydenham Edwards
  • Printed on museum-grade matte paper

  • Framed in black Engineered wood with crystal-clear acrylic

  • Two sizes: 12×16 inches or 16×20 inches (including frame)

  • Ships ready to hang with hardware included

  • Packaged securely for damage-free delivery

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Great Gift Idea

If you’re searching for a thoughtful and unique gift, this framed vintage print is a perfect choice. It’s ideal for art lovers, collectors, gardeners, or anyone who appreciates timeless design and historical charm.

Not only is it beautifully made, but it also adds meaning and style to any space. Whether you’re celebrating a birthday, holiday, housewarming, or special occasion, this print is sure to be a memorable and lasting present.

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Authentic Print Quality for Timeless Vintage Art

We print, frame, and ship your artwork straight to your door—ready to hang and enjoy. Simply open the box, and your space comes to life with timeless charm.

To ensure quality, our high-resolution prints are created using archival inks on acid-free matte paper. As a result, they capture every detail and soft tone of the original vintage artwork. Moreover, each piece is designed to be fade-resistant, so it will maintain its beauty for years to come.

In addition, the clean, minimalist presentation adds both warmth and historical character to any room. Whether you’re decorating a home, office, or gallery wall, this print delivers style and longevity in one elegant package.

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Otto Freundlich
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Artist Bio

Artist Bio:
 
Sydenham Edwards
 
English, 1768-1819
 
Sydenham Teast Edwards was a natural history illustrator. He illustrated plants, birds and importantly published an illustrated book on the breeds of dogs in Britain, Cynographia Britannica.
 
Edwards was born in 1768 in Usk, Monmouthshire, the son of Lloyd Pittell Edwards, a schoolmaster and organist; and his wife, Mary Reese, who had been married on 26 September 1765, at Llantilio Crossenny Church, and where Sydenham was christened in 1768. Mary Reese was a sister of the Rev. William Reece, the curate of Llantilio Crossenny who had married Ann Mackafee. Their son, Richard Reece was an eminent physician and wrote a number of works on medicine. Young Edwards had a precocious talent for draughtsmanship and when only 11 years old had copied plates from Flora Londinensis for his own enjoyment. A certain Mr. Denman visited Abergavenny in 1779 and saw some of Edwards' work. Denman, being a friend of William Curtis, the publisher of botanical works, and founder of the Curtis's Botanical Magazine, spoke to Curtis about the boy. Curtis proceeded to have Edwards trained in both botany and botanical illustration.
 
Edwards produced plates at a prodigious rate: between 1787 and 1815 he produced over 1,700 watercolours for the Botanical Magazine alone. He illustrated Cynographia Britannica (1800) (an encyclopaedic compendium of dog breeds in Britain), New Botanic Garden (1805-7), New Flora Britannica (1812), and The Botanical Register (1815-19). Edwards established the latter under his own editorship in 1815 after a disagreement with John Sims, who succeeded Curtis as editor. He also provided drawings for encyclopedias such as Pantologia and Rees's Cyclopædia. He completed a number of parrot illustrations between 1810 and 1812 which were acquired by Edward Smith-Stanley, 13th Earl of Derby. Edwards was elected a Fellow of the Linnean Society in 1804.
 
Edwards' work inspired the decoration of ceramics made by a number of major potters of the time, such as Spode.
 
He was buried at Chelsea Old Church (All Saints), London.

Size

12×18, 16×20

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